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Laura Di Falco became a successful writer with her first book, Fear of the day (Mondadori, 1954), which was a huge success with audiences and critics. Courted by major Italian publishers she also published with Rizzoli and Feltrinelli. She was a finalist of the prestigious Strega Prize in 1976 with The Railing, presented and supported by Nobel laureate Eugenio Montale. VerbaVolant Edizioni is reissuing a number of her works.
The Expressive Powers of GOLIARDA SAPIENZA,
the Societal Insights of LEONARDO SCIASCIA and
the Restless Psychological Investigation of LUIGI PIRANDELLO.

L’Inferriata (The Railing – Rizzoli, 1976)
Diletta is a last year student at high school, strong and rebellious, she disputes the dynamics of a retrograde society in Sicily, embodied to perfection by her family. The love for a young man of a lower social class encourages her to rebel against a programmed life. When the family finally accepts the young boyfriend, Diletta realizes that Mario wastes no time in bowing to a logic she has always fought and, scandalizing once again the whole family, decides to break the engagement. With realism filtered by extraordinary imaginative skills Laura Di Falco has been often associated to De Roberto and Pirandello.


272 pages – Original language: Italian (VerbaVolant Edizioni, 2012)

[Laura Di Falco]

Tre Mogli (Three Wives – Rizzoli, 1967)
Ferdinando Rivasecca is locked up in seminary after a physical disability that affects his sexual activity. Instead of being discouraged he prepares to conquer the world by taking advantage of his condition. Around him and his emancipation, the role played by the historical period in which he lives: post-unification Sicily. Ferdinando works patiently to subvert social expectations (the impairment that so seemed to have damaged him) and ends up with three women. Each, with different roles, will establish a series of difficult and ambiguous relationships. Di Falco narrates of Diomira who just wants to scale the social ladder, Giulietta who is always looking for an impossible love, and Ofelia only interested in making money. Each of the four characters’ efforts will be useless for the changes caused by the war. And to come forward will be the new generation embodied by the young niece Sandra.

504 pages – Original language: Italian (VerbaVolant Edizioni, 2013)

[Laura Di Falco]

Una donna disponibile (An Available Woman Rizzoli, 1959)
Elena is a woman of thirty-five, the wife of a prominent lawyer, bored and tired with a wrong marriage and the mundane routine of her life, but unable to break free from the conventions of bourgeois society. She meets Ennio, a young man in his twenties, and the two begin a sensual relationship. But in the end Elena is disappointed when she realizes that even this relationship does not add anything new to her life. It has, however, the merit of helping her to find herself.

“Una donna disponibile is a post-war psychological novel that comes alive through the detailed descriptions of its heroine restless state of mind. Undoubtedly, however, this is also a work that depicts an era, full of references, among others, to Sartre and Moravia. A novel about the stages in the life of a woman in search of herself, who is learning to define herself through the sum of her deliberate actions. It can therefore be considered as a great contribution to existentialist literature in Italy.” Thomas Stain


172 pages – Original language: Italian (VerbaVolant Edizioni, 2014). Rights Sold: Turkish (Cumartesi Kitalpigi, 2018)

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